- BPM
- 130
- Key
- E♭ Major
- Camelot
- 5B
Piano Concert No.15 in Bb maj, 450: II. Andante - Live Recording - Giovanni Alvino, Vincenzo Maltempo Information
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 5%
- Instrumentalness
- 85%
- Liveness
- 13%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 4%
- Loudness
- -26.976 dB
Summary
"Piano Concert No.15 in Bb maj, 450: II. Andante - Live Recording" by Giovanni Alvino, Vincenzo Maltempo was released on April 18, 2018. Piano Concert No.15 in Bb maj, 450: II. Andante - Live Recording is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Piano Concert 467 & 450 (Live) [Live Recording]". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Piano Concert No.15 in Bb maj, 450: II. Andante - Live Recording's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concert No.15 in Bb maj, 450: II. Andante - Live Recording BPM
With Piano Concert No.15 in Bb maj, 450: II. Andante - Live Recording by Giovanni Alvino, Vincenzo Maltempo having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Piano Concert No.15 in Bb maj, 450: II. Andante - Live Recording Key
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Étude in G Minor Op. 740 No. 50 | Carl Czerny, Alba Ventura | G Minor | 5 | 6A | 139 BPM | |
 | Pièces lyriques, Op. 54: IV. Notturno | Edvard Grieg, Mara Dobresco | C Major | 0 | 8B | 69 BPM | |
 | Nocturne in E-flat major, Op. 9, No. 2 | Valentina Lisitsa | B♭ Major | 0 | 6B | 65 BPM | |
 | Lyric Pieces, Op. 12: No. 3, Watchman's Song | Edvard Grieg, Håkon Austbø | B Minor | 0 | 10A | 136 BPM | |
 | 12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | |
 | Summer (L'Estate) Op.8 No.2 G Minor: Adagio | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 83 BPM | |
 | Venetian Boat Song, Op. 30 No. 6 | Jane Coop | F♯ Minor | 0 | 11A | 72 BPM | |
 | Vi. Wedding March | Felix Mendelssohn, DuoKeira Piano Duo | B Minor | 0 | 10A | 133 BPM | |
 | 6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | |
 | Karadec Suite, Op. 34: II. Chanson | Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang | E♭ Major | 0 | 5B | 70 BPM |
- ISRC
- CH6541817496
- Label
- L-M Records/RCA Records
Section: 0.663038969039917
End: 0.6681549549102783