Girolamo Frescobaldi, Andrés Segovia's 'Aria e Corrente' came out on January 1, 2002. Since Aria e Corrente is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 41 in Andrés Segovia - The Art of Segovia by Andrés Segovia, Albert Roussel, Alexander Scriabin, Carlos Pedrell, César Franck, Claude Debussy, Domenico Scarlatti, Edvard Grieg, Federico Moreno Torroba, Felix Mendelssohn, Fernando Sor, Francisco Tárrega, Frédéric Chopin, George Frideric Handel, Girolamo Frescobaldi, Heitor Villa-Lobos, Isaac Albéniz, Jean-Philippe Rameau, Joaquín Rodrigo, Joaquín Turina, Johann Sebastian Bach, John Dowland, Manuel de Falla, Manuel Ponce, Mario Castelnuovo-Tedesco, Modest Mussorgsky, Niccolò Paganini, Traditional. Aria e Corrente is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Aria e Corrente by Girolamo Frescobaldi, Andrés Segovia is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Missa Azzolina: Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 78 BPM | ||
Allein Gott in der Hoh sei Ehr, SwWV 299: Varitation 3 | Jan Pieterszoon Sweelinck, Joseph Kelemen | E Major | 2 | 12B | 67 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Messe de Minuit, H. 9: Agnus Dei | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola | C Major | 1 | 8B | 79 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM |
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