Thomas Hampson, Michel Trempont, Samuel Ramey, London Philharmonic Orchestra, Francois Le Roux, Denyce Graves, Gérard Garino, Jean-Philippe Courtis, Antonia De Almeida's 'Hamlet - Acte V - Le Cimetière D'Elseneur - Appendices - Finale (Dit De Covent Garden) : Ophélie ! Hamlet ! (Hamlet, Le Roi, La Reine, Marcellus, Horatio, Polonius, Le Spectre)' came out on February 28, 2003. With Hamlet - Acte V - Le Cimetière D'Elseneur - Appendices - Finale (Dit De Covent Garden) : Ophélie ! Hamlet ! (Hamlet, Le Roi, La Reine, Marcellus, Horatio, Polonius, Le Spectre) being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Thomas Hampson's "Hamlet Hampson" album is number 13 out of 54. In terms of popularity, Hamlet - Acte V - Le Cimetière D'Elseneur - Appendices - Finale (Dit De Covent Garden) : Ophélie ! Hamlet ! (Hamlet, Le Roi, La Reine, Marcellus, Horatio, Polonius, Le Spectre) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hamlet - Acte V - Le Cimetière D'Elseneur - Appendices - Finale (Dit De Covent Garden) : Ophélie ! Hamlet ! (Hamlet, Le Roi, La Reine, Marcellus, Horatio, Polonius, Le Spectre) by Thomas Hampson, Michel Trempont, Samuel Ramey, London Philharmonic Orchestra, Francois Le Roux, Denyce Graves, Gérard Garino, Jean-Philippe Courtis, Antonia De Almeida to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tannhäuser, Act 2: "Den Gott der Liebe sollst du preisen" (Tannhäuser, Elisabeth, Wolfram) | Richard Wagner, Daniel Barenboim, Jane Eaglen, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson, Daniel Barenboiim | A♭ Major | 3 | 4B | 106 BPM | ||
La Bohème / Act 4: "Gavotta" | Giacomo Puccini, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 86 BPM | ||
Ah! May The Red Rose Live Always | Stephen Collins Foster, Thomas Hampson | G Major | 1 | 9B | 90 BPM | ||
La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" | Giuseppe Verdi, Thomas Hampson, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | B♭ Major | 2 | 6B | 95 BPM | ||
Verdi: Il trovatore, Act 2: "Ardir! andiam, celiamoci ... Per me ora fatale" (Il Conte, Ferrando, Chorus) | Giuseppe Verdi, Antonio Pappano, Ildebrando D'Arcangelo, Thomas Hampson, London Symphony Orchestra | C Major | 5 | 8B | 112 BPM | ||
Il Trovatore / Act 1: "Tacea la notte" - "Quanto narrasti di turbamento" | Giuseppe Verdi, Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 165 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Schubert: Winterreise, Op. 89, D. 911: No. 7, Auf dem Flusse | Franz Schubert, Thomas Hampson, Wolfgang Sawallisch | D Major | 0 | 10B | 75 BPM | ||
Falstaff / Act 2: "Vien qua" - "Che chiasso!" | Giuseppe Verdi, Dorothea Röschmann, Daniil Shtoda, Enrico Facini, Thomas Hampson, Anatolij Kotscherga, Anthony Mee, Berliner Philharmoniker, Claudio Abbado | E♭ Major | 1 | 5B | 49 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM |
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