"6 Etudes In Canon Form For Pedal Piano, op. 56: VI. Adagio" by Hans-Christoph Becker-Foss was released on 1990. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Slovak Philharmonic, Peter Schmalfuss's "Music For The Millions Vol. 16 - Robert Schumann" album is number 12 out of 13. In terms of popularity, 6 Etudes In Canon Form For Pedal Piano, op. 56: VI. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Etudes In Canon Form For Pedal Piano, op. 56: VI. Adagio by Hans-Christoph Becker-Foss to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Op. 50 | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Minor | 0 | 11A | 136 BPM | ||
Ballet Suite No. 1 (Arr. Lev Atovmyan): I. Lyric Waltz from "Suite No. 1 for Jazz Orchestra" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | C Minor | 1 | 5A | 184 BPM | ||
The Marriage of Figaro, "Le Nozze di Figaro", K.492: Overture | London Philharmonic Orchestra, Edward Downes | D Major | 2 | 10B | 148 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yefim Bronfman, Esa-Pekka Salonen | F Major | 0 | 7B | 83 BPM | ||
Coppélia: Prélude et Mazurka | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | D Major | 1 | 10B | 90 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Polonaise in A-Flat Major, Op. 53 "Heroic" | Frédéric Chopin, Vladimir Horowitz | A Major | 2 | 11B | 131 BPM | ||
Purcell: King Arthur, Z. 628, Act III: Prelude While Cold Genius Rises - Song. "What Power Art Thou" | Henry Purcell, John Eliot Gardiner, Stephen Varcoe, English Baroque Soloists | B Minor | 0 | 10A | 101 BPM | ||
BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | ||
William Tell Overture | 純音樂 | E Major | 7 | 12B | 166 BPM |
Section: 0.7620525360107422
End: 0.7658989429473877