- BPM
- 171
- Key
- A♭ Minor
- Camelot
- 1A
Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern - Richard Wagner, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti Information
- Acousticness
- 98%
- Danceability
- 32%
- Energy
- 24%
- Instrumentalness
- 0%
- Liveness
- 46%
- Loudness
- 75%
- Speechiness
- 5%
- Valence
- 26%
- Popularity
- 4%
- Loudness
- -15.152 dB
Summary
Richard Wagner, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti's 'Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern' came out on January 1, 2012. The duration of Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern BPM
With Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern by Richard Wagner, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Die Walküre / Zweiter Aufzug: So ist es denn aus mit den ewigen Göttern Key
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | |
 | Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | |
 | Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | |
 | La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | |
 | Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | |
 | La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | |
 | Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | |
 | Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | |
 | Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM |
- ISRC
- GBF076530153
- Label
- L-M Records/RCA Records
Section: 0.7473890781402588
End: 0.7514338493347168