Carl Nielsen, Elisabeth Westenholz made "6 Humoresque-Bagatelles, Op. 11, FS 22: II. Snurretoppen" available on December 31, 1989. With 6 Humoresque-Bagatelles, Op. 11, FS 22: II. Snurretoppen being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 53 in the song's album "Nielsen: Complete Piano Music". In this album, this song's track order is #11. In terms of popularity, 6 Humoresque-Bagatelles, Op. 11, FS 22: II. Snurretoppen is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 6 Humoresque-Bagatelles, Op. 11, FS 22: II. Snurretoppen by Carl Nielsen, Elisabeth Westenholz having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Nielsen - 3 Piano Pieces, Op. 59: No. 3. Allegro non troppo | Hans Abrahamsen, Carl Nielsen, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 1 | 3A | 91 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Minor | 0 | 12A | 82 BPM | ||
Symphony No. 3, Op. 27 "Espansiva": II. Andante pastorale | Carl Nielsen, Fatma Said, Palle Knudsen, Danish National Symphony Orchestra, Fabio Luisi | E Major | 3 | 12B | 130 BPM | ||
Symphony No. 2, Op. 16, FS 29 "The Four Temperaments": II. Allegro comodo e flemmatico (Phlegmatic) | Carl Nielsen, Sir Colin Davis, London Symphony Orchestra | G Major | 0 | 9B | 103 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Gli uccelli (The Birds), P. 154: I. Preludio: Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 74 BPM |
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