Johann Sebastian Bach, Maurizio Pollini made "Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 3" available on January 1, 2009. With Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 3 being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 48 in Bach, J.S.: The well-tempered Clavier by Johann Sebastian Bach, Maurizio Pollini. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 3's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Das Wohltemperierte Klavier: Book 1, BWV 846-869: Praeludium 3 by Johann Sebastian Bach, Maurizio Pollini is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
12 Monferrinas, Op. 49: III. Allegretto con espressione | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | ||
Johannes-Passion, BWV 245.1: 14. Choral: Petrus, der nicht denkt zurück | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
An die Musik, D. 547 (Arr. Moore) | Franz Schubert, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Les Rozeaux (13e ordre) | François Couperin, Alexandre Tharaud | B Minor | 1 | 10A | 67 BPM | ||
Gavotte et six doubles, RCT 5/7: Var. 3 | Jean-Philippe Rameau, Bruce Liu | A Minor | 0 | 8A | 108 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM |
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