On 1994, the song "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (Allegro)" was released by Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Friedemann Immer, Christopher Krueger, Marc Schachman, Daniel Stepner. With this song being about 5 minutes long, at 4:43, "Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (Allegro)" by Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Friedemann Immer, Christopher Krueger, Marc Schachman, Daniel Stepner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 19 in Bach: The Complete Brandenburg Concertos by Johann Sebastian Bach, Boston Baroque, Martin Pearlman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (Allegro) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (Allegro) by Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Friedemann Immer, Christopher Krueger, Marc Schachman, Daniel Stepner is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Sonata No. 1 in G Minor, BWV 1001: III. Siciliana | Johann Sebastian Bach, Andrej Kurti | D♭ Minor | 1 | 12A | 89 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Orchestral Suite No. 3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | D Major | 2 | 10B | 66 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM |
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