"Le dernier jour d'un condamné / Acte II: Oh!... Ai-je dormi longtemps ?" by David Alagna, Indra Thomas, Jean-Philippe Lafont, Orchestre national d'île-de-France, Michel Plasson had its release date on January 1, 2008. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 11 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte II: Oh!... Ai-je dormi longtemps ? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte II: Oh!... Ai-je dormi longtemps ? by David Alagna, Indra Thomas, Jean-Philippe Lafont, Orchestre national d'île-de-France, Michel Plasson to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
Le dernier jour d'un condamné / Acte I: Cinq semaines avec cette pensée | David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson | D♭ Major | 0 | 3B | 69 BPM | ||
Tell Me | José Cura, Ewa Malas Godlewska | D♭ Minor | 4 | 12A | 76 BPM | ||
Le Rêve | Vittorio Sbordone, Davide Napolitano | G Major | 5 | 9B | 168 BPM | ||
N'addore 'e rose | Maurizio Abeni, Manuela Loffredo | A Minor | 3 | 8A | 85 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
There are so many pretty girls | Isaak Dunayevsky, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | D Major | 3 | 10B | 134 BPM | ||
Adventures | Gerri Mack | G Major | 3 | 9B | 85 BPM | ||
Doña Francisquita, Act III: Canto Alegre de la Juventud (Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | E Major | 4 | 12B | 85 BPM | ||
Ave Maria | Johann Sebastian Bach, Charles Gounod, Opera Orchestra, Harry van Hoof, Cristina Deutekom, Opera Chorus | G Major | 1 | 9B | 142 BPM |