"Onze Lieder: Beginning" by Betsy Jolas, Håkan Hardenberger, Royal Stockholm Philharmonic Orchestra, Fabien Gabel was released on June 3, 2022. The duration of Onze Lieder: Beginning is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Onze Lieder: Beginning's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Tomasi, Jolivet & Others: French Trumpet Concertos". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Onze Lieder: Beginning's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Onze Lieder: Beginning by Betsy Jolas, Håkan Hardenberger, Royal Stockholm Philharmonic Orchestra, Fabien Gabel having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Sonata, Op. 147: II. Allegretto | Dmitri Shostakovich, Maxim Rysanov, Marianna Shirinyan | F♯ Major | 1 | 2B | 121 BPM | ||
6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin | Claude Debussy, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Alia fantasia | Nicola Matteis Jr., Léo Belthoise | G Major | 1 | 9B | 114 BPM | ||
La mort du Nombre | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou, Charles Sy, Vilde Frang | A Major | 2 | 11B | 80 BPM | ||
Violin Concerto: IV. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 171 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Suite for Three Cellos: II. Molto lento | Ferdinand Thieriot, Hamburg Chamber Players | D Minor | 1 | 7A | 105 BPM | ||
Younger Than Spring | Winfred Jeremiah | D♭ Major | 1 | 3B | 85 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | F Minor | 2 | 4A | 140 BPM | ||
Finestra Sul Tempo | Alessandro Gozzo, Cats Rule the World | C Major | 3 | 8B | 127 BPM |
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