Johan Helmich Roman, Höör Barock, Dan Laurin made "Golovinmusiken, BeRI 1: No. 14, Bourrée" available on March 1, 2019. With Golovinmusiken, BeRI 1: No. 14, Bourrée being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johan Helmich Roman, Höör Barock, Dan Laurin's "Johan Helmich Roman: Golovinmusiken, BeRI 1" album is number 14 out of 45. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Golovinmusiken, BeRI 1: No. 14, Bourrée's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Golovinmusiken, BeRI 1: No. 14, Bourrée by Johan Helmich Roman, Höör Barock, Dan Laurin to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 130 BPM | ||
Abdelazar Suite, Z. 570: VIII. Hornpipe | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
2 Serenades ou simphonies francoises en 3 parties, Op. 39: Passepied | Joseph Bodin de Boismortier, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 142 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Da capella presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 82 BPM | ||
Assaggio per violino solo in G Minor, BeRI 320: II. | Johan Helmich Roman, Fabio Biondi | G Minor | 1 | 6A | 171 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Partenope: Ouverture | Leonardo Vinci, Concerto Köln, Luca Quintavalle | C Major | 4 | 8B | 121 BPM | ||
Concerto primo in G Major: I. Andante - Allegro | Baldassare Galuppi, Ensemble StilModerno | G Major | 2 | 9B | 122 BPM | ||
Overture-Suite in D Major, TWV 55:D1: I. Ouverture: Lentement - Vite - Lentement | Georg Philipp Telemann, The English Concert, Trevor Pinnock | F♯ Minor | 3 | 11A | 118 BPM | ||
Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | C Major | 4 | 8B | 103 BPM |
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