Giovanni Bononcini, Christopher Keyte, London Philharmonic Orchestra, George Guest's ' "Stabat Mater - Ed. Smith: 12. Fac me cruce custodiri" was released on its scheduled release date, March 7, 1978. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Stabat Mater - Ed. Smith: 12. Fac me cruce custodiri's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 15 in Bononcini: Stabat Mater / Lotti: Crucifixus / Caldara: Crucifixus by Giovanni Bononcini, George Guest, Felicity Palmer, Philip Langridge, Paul Esswood, Christopher Keyte, Choir of St. John's College, Cambridge, London Philharmonic Orchestra. In terms of popularity, Stabat Mater - Ed. Smith: 12. Fac me cruce custodiri is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Stabat Mater - Ed. Smith: 12. Fac me cruce custodiri by Giovanni Bononcini, Christopher Keyte, London Philharmonic Orchestra, George Guest is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XXII. Er ist das Heil und selig Licht | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Airs for the Autumn: Marvel of Peru: III. Musette: Allegro moderato | James Oswald, The Broadside Band | F♯ Major | 1 | 2B | 72 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah se intorno a quest'urna funesta" (Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Pour vous dont je reçois et l'encens et les vœux | Jean-Marie Leclair, d’Albaret, Hasnaa Bennani, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Major | 2 | 3B | 93 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Te Deum "de Lyon": VII. Tu rex gloriæ, Christe | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM |