"12 Capricci Op. 25 Per Violoncello Solo: Adagio Largamente" by Wen-Sinn Yang was released on 2001. With this song being about 5 minutes long, at 4:59, "12 Capricci Op. 25 Per Violoncello Solo: Adagio Largamente" by Wen-Sinn Yang is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Piatti: 12 Capricci Op. 25 for Cello solo". In this album, this song's track order is #6. 12 Capricci Op. 25 Per Violoncello Solo: Adagio Largamente is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Capricci Op. 25 Per Violoncello Solo: Adagio Largamente by Wen-Sinn Yang having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Wen-Sinn Yang, Taiwan Philharmonic, NSO, Lü Shao-chia | B♭ Major | 1 | 6B | 86 BPM | ||
Ich steh mit einem Fuss im Grabe, BWV 156: I. Arioso (Arr. for Cello & Piano) | Johann Sebastian Bach, Duo Arnicans | G Major | 0 | 9B | 67 BPM | ||
24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
Piano Quartet D minor op. 50 in D Minor: Animato | Heinrich Hofmann, Nina Karmon, Oliver Triendl, Stefan Fehlandt, Wen-Sinn Yang, Georg Arzberger | D Major | 1 | 10B | 138 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Pohádka, JW VII/5: I. Con moto | Leoš Janáček, Wen-Sinn Yang, Gilead Mishory | B Minor | 1 | 10A | 107 BPM | ||
Popper: Hungarian Rhapsody, Op. 68 | David Popper, Gautier Capuçon, Jerome Ducros | D Major | 1 | 10B | 159 BPM | ||
Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Heinrich Schiff, Samuel Sanders | D Major | 2 | 10B | 109 BPM |
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