"Scheherazade, Op. 35: II. Lento" by Nikolai Rimsky-Korsakov, Leon Spierer, Berliner Philharmoniker, Lorin Maazel was released on January 1, 1995. Scheherazade, Op. 35: II. Lento appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Rimsky-Korsakov: Scheherazade / Rachmaninov: The Isle Of The Dead". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Scheherazade, Op. 35: II. Lento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op. 35: II. Lento by Nikolai Rimsky-Korsakov, Leon Spierer, Berliner Philharmoniker, Lorin Maazel having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude: In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Alexander Vedernikov | E♭ Major | 7 | 5B | 127 BPM | ||
Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks upon a Cliff Surmounted by a Bronze Horseman | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 3 | 8B | 99 BPM | ||
Sadko, Op. 5 (arr. for violin and piano): Sadko: Hindu Song (arr. for violin and piano) | Anonymous, Nikolai Rimsky-Korsakov, Takako Nishizaki, Wolf Harden | C Major | 0 | 8B | 182 BPM | ||
The Legend of the invisible City of Kitezh and the Maiden Fevronia / Act 3. Tableau 1: Zdravy bud'te, lyudi kitezhane | Nikolai Rimsky-Korsakov, Nikolai Putilin, Yuri Marusin, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | C Minor | 1 | 5A | 83 BPM | ||
Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM | ||
The Maid of Pskov / Act 2: Intermezzo - Voiti, al' net? | Nikolai Rimsky-Korsakov, Vladimir Ognovienko, Gennadi Bezzubenkov, Mariinsky Orchestra, Valery Gergiev | E♭ Major | 1 | 5B | 111 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |
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