George Frideric Handel, Raymond Leppard, English Chamber Orchestra's 'Let the Bright Seraphim from Samson' came out on 1959. Let the Bright Seraphim from Samson is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, English Chamber Orchestra, Raymond Leppard, New York Philharmonic, Igor Kipnis, E. Power Biggs's "Handel: Greatest Hits" album is number 11 out of 22. In terms of popularity, Let the Bright Seraphim from Samson is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Let the Bright Seraphim from Samson by George Frideric Handel, Raymond Leppard, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Grave | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 133 BPM | ||
Symphony No. 4 in F Major: 1. Allegro | William Boyce, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 95 BPM | ||
Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Riccardo Muti, Christopher Warren-Green, Gordon Hunt, Kenneth Smith, Leslie Pearson, Maurice André, Philharmonia Orchestra | F Major | 3 | 7B | 105 BPM | ||
Entrada From The Indian Queen (excerpt) | Henry Purcell, Wynton Marsalis, Raymond Leppard, English Chamber Orchestra | C Major | 4 | 8B | 119 BPM | ||
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Scipione Hv 20 - Marsch | English Chamber Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 152 BPM |
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