Arthur Sullivan, Owen Brannigan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey's '32. A rollicking band of pirates we' came out on January 1, 1968. With 32. A rollicking band of pirates we being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 18 out of 40. 32. A rollicking band of pirates we is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 32. A rollicking band of pirates we by Arthur Sullivan, Owen Brannigan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen | Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 200 BPM | ||
Candide / Act I: 9. Auto-da-fé | Leonard Bernstein, Adolph Green, John Treleavan, Neil Jenkins, Jerry Hadley, Lindsay Benson, Richard Suart, Clive Bayley, London Symphony Chorus, London Symphony Orchestra | C Major | 4 | 8B | 125 BPM | ||
21. Braid the raven hair, Weave the supple tresses | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 141 BPM | ||
A Journey (A Kingdom of Dreams) - from 'The Wind Rises' | Joe Hisaishi, Royal Philharmonic Orchestra | D Major | 2 | 10B | 83 BPM | ||
Fantasia On British Sea Songs - See The Conquering Hero Comes | Traditional, Royal Philharmonic Orchestra | D Major | 1 | 10B | 72 BPM | ||
Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 2 | 11B | 107 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | G Major | 0 | 9B | 94 BPM | ||
Otello / Act 4: "Piangea cantando nell'erma landa..." | Giuseppe Verdi, Kiri Te Kanawa, Elzbieta Ardam, Chicago Symphony Orchestra, Sir Georg Solti | B Major | 0 | 1B | 168 BPM | ||
Cabaret: Finale | John Kander, Cabaret Ensemble, Harold Hastings | D Major | 2 | 10B | 83 BPM | ||
11. How beautifully blue the sky | Arthur Sullivan, Valerie Masterson, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | F♯ Major | 1 | 2B | 82 BPM |
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