Juan del Encina, The Hilliard Ensemble, Paul Hillier's 'Encina: Cucu, cucu! (No. 75 from "Cancionero de Palacio"): "Cucú, cucú, cucucú, guarda no lo seas tú"' had a release date set for 1991. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "Spain and the New World - Renaissance music from Aragon and Mexico". In this album, this song's track order is #17. Encina: Cucu, cucu! (No. 75 from "Cancionero de Palacio"): "Cucú, cucú, cucucú, guarda no lo seas tú" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Encina: Cucu, cucu! (No. 75 from "Cancionero de Palacio"): "Cucú, cucú, cucucú, guarda no lo seas tú" by Juan del Encina, The Hilliard Ensemble, Paul Hillier having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ce fut en mai | Moniot d'Arras, Millenarium | E♭ Major | 1 | 5B | 83 BPM | ||
Qu'es de ti, desconsolado? | Juan del Encina, Baltimore Consort | E Minor | 0 | 9A | 109 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Oy comamos y bebamos | Juan del Encina, La Maurache, Julien Skowron, Vincent Lecornier, Muriel Allin, Alexandre-Pierre Levy, Michèle Vandenbrouque, Nicolas Zanlonghi, Hervé Barreau, Kléber Besson, Anne Carole Denès, Laurence Orlowski | A Minor | 7 | 8A | 138 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Passamezzo moderno: Recercada tercera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | E Major | 3 | 12B | 126 BPM | ||
Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
Folias | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 115 BPM | ||
Correnta quarta | Carlo Farina, Musica Antiqua, Christian Mendoze | G Minor | 1 | 6A | 74 BPM |