"Schubert: Stabat Mater in F Minor, D. 383: No. 2, Arie. "Bei des Mittlers Kreuze standen bang"" by Franz Schubert, Michel Corboz, Sheila Armstrong, Orchestre de Chambre de Lausanne was released on October 1, 1994. The duration of Schubert: Stabat Mater in F Minor, D. 383: No. 2, Arie. "Bei des Mittlers Kreuze standen bang" is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Schubert: Stabat Mater in F Minor, D. 383: No. 2, Arie. "Bei des Mittlers Kreuze standen bang"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schubert : Stabat Mater, Offertorium & Magnificat (Apex)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Schubert: Stabat Mater in F Minor, D. 383: No. 2, Arie. "Bei des Mittlers Kreuze standen bang" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Stabat Mater in F Minor, D. 383: No. 2, Arie. "Bei des Mittlers Kreuze standen bang" by Franz Schubert, Michel Corboz, Sheila Armstrong, Orchestre de Chambre de Lausanne having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act 2: "Schelm! Halt fest!" | Carl Maria von Weber, Edith Mathis, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | E Major | 2 | 12B | 96 BPM | ||
Grande Messe des Morts: X. Sequentia: Quid sum miser - Lento | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Major | 0 | 7B | 75 BPM | ||
Six Lieder, Op.13: 1. Ich stand in dunklen Träumen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 68 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No.39 Aria (Alto): "Erbarme dich" | Johann Sebastian Bach, Marie-Claude Chappuis, Gewandhausorchester Leipzig, Riccardo Chailly | E Minor | 0 | 9A | 117 BPM | ||
Nonet in E-Flat Major, Op. 38: II. Andante con moto | Louise Farrenc, Consortium Classicum | B♭ Major | 0 | 6B | 121 BPM | ||
Te Deum, WAB 45: 4. Salvum fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 89 BPM | ||
Piano Trio No. 6 in E-Flat Major, Op. 93: II. Un poco larghetto | Johann Nepomuk Hummel, Gould Piano Trio | B Major | 0 | 1B | 79 BPM | ||
Grande Messe des Morts: Introduzione: Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 64 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | B♭ Major | 0 | 6B | 120 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM |
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