Jacques Offenbach, Michel Plasson, Danièle Castaing, Françoise Gayral, Jean Christophe Benoit, Luis Masson, Mady Mesple, Marie-Thérèse Téchene, Michel Jarry, Éliane Lublin, Orchestre Du Capitole De Toulouse made "Offenbach: La vie parisienne, Act 3: Duo. "L'amour, c'est une échelle immense" - Dialogue. "Madame la vicomtesse de la Pépinière" Texte (Prosper, Gabrielle, Pauline, Louise, Clara, Léonie, Urbain, Le Baron)" available on September 15, 2023. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 3: Duo. "L'amour, c'est une échelle immense" - Dialogue. "Madame la vicomtesse de la Pépinière" Texte (Prosper, Gabrielle, Pauline, Louise, Clara, Léonie, Urbain, Le Baron) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Offenbach: La vie parisienne, Act 3: Duo. "L'amour, c'est une échelle immense" - Dialogue. "Madame la vicomtesse de la Pépinière" Texte (Prosper, Gabrielle, Pauline, Louise, Clara, Léonie, Urbain, Le Baron) by Jacques Offenbach, Michel Plasson, Danièle Castaing, Françoise Gayral, Jean Christophe Benoit, Luis Masson, Mady Mesple, Marie-Thérèse Téchene, Michel Jarry, Éliane Lublin, Orchestre Du Capitole De Toulouse having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Offenbach: Grand Concerto for Cello in G Major, "Concerto Militaire": II. Andante | Jacques Offenbach, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | E Major | 2 | 12B | 89 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM |
Section: 0.7306358814239502
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