Roberta Mameli, La Venexiana's 'Cantade: Usurpator tiranno (arr. for jazz ensemble)' came out on October 26, 2010. Since Cantade: Usurpator tiranno (arr. for jazz ensemble) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 'Round M: Monteverdi Meets Jazz, so we believe that "Cantade: Usurpator tiranno (arr. for jazz ensemble)" is a single. In terms of popularity, Cantade: Usurpator tiranno (arr. for jazz ensemble) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantade: Usurpator tiranno (arr. for jazz ensemble) by Roberta Mameli, La Venexiana is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Hymn No. 8 / Night Procession | George Gurdjieff, Anja Lechner, François Couturier | D♭ Major | 0 | 3B | 133 BPM | ||
Catone in Utica, RV 705, Act I, Scene 5: Vaga sei nè sdegni tuoi | Antonio Vivaldi, Alan Curtis, Il Complesso Barocco, Roberta Mameli | D♭ Major | 5 | 3B | 92 BPM | ||
Eritrea: O luci belle | Francesco Cavalli, Giulia Semenzato, raffaele pe, La Venexiana, Claudio Cavina | A Minor | 2 | 8A | 113 BPM | ||
Veremonda, l'amazzone di Aragona: Né meste più | Francesco Cavalli, Giulia Semenzato, raffaele pe, La Venexiana, Claudio Cavina | C Minor | 1 | 5A | 171 BPM | ||
Usciva homai del molle e fresco grembo | Giaches de Wert, La Venexiana, Claudio Cavina | A♭ Major | 1 | 4B | 76 BPM | ||
Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
sopra l'anticho canto de La Spagna | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Marie Gelis, Alvaro Garrido | D Minor | 1 | 7A | 96 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga | George Frideric Handel, Simone Kermes | E Major | 0 | 12B | 128 BPM |
Section: 0.8845775127410889
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