"Tristan und Isolde, WWV 90, Act III (Excerpts): Mild und leise wie er lächelt (Live)" by Richard Wagner, Los Angeles Philharmonic, Bruno Walter, Margaret Harshaw was released on September 2, 2022. Tristan und Isolde, WWV 90, Act III (Excerpts): Mild und leise wie er lächelt (Live) is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The song is number 2 out of 9 in Bruno Walter Conducts Wagner (Live) by Richard Wagner, Los Angeles Philharmonic, New York Philharmonic, Bruno Walter, Kirsten Flagstad, Margaret Harshaw. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Tristan und Isolde, WWV 90, Act III (Excerpts): Mild und leise wie er lächelt (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tristan und Isolde, WWV 90, Act III (Excerpts): Mild und leise wie er lächelt (Live) by Richard Wagner, Los Angeles Philharmonic, Bruno Walter, Margaret Harshaw is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster): Overture | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch, Orchester der Bayerischen Staatsoper München | E♭ Major | 1 | 5B | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea (Dialogue du vent et de la mer) | Claude Debussy, Concertgebouworkest, Bernard Haitink | D♭ Major | 1 | 3B | 83 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
Otello / Act 1: "Una vela! Una vela!" | Giuseppe Verdi, Alan Opie, Anthony Rolfe Johnson, John Keyes, Leo Nucci, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 73 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.11 Dance of the Clowns | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | B Major | 2 | 1B | 62 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
La traviata / Act I: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 4 | 4B | 91 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Preludio Sinfonico for Orchestra, Op.1 | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | A Major | 0 | 11B | 75 BPM |
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