Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski made "Platée [ou Junon jalouse]: Orage - Live" available on January 1, 2005. The duration of Platée [ou Junon jalouse]: Orage - Live is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Platée [ou Junon jalouse]: Orage - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rameau: Une symphonie imaginaire". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Platée [ou Junon jalouse]: Orage - Live is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Platée [ou Junon jalouse]: Orage - Live by Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Messe de minuit pour Noël, H. 9: "Kyrie eleison" | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 70 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Concerto For Strings In D Minor, RV 128: III. Allegro | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 6 | 7A | 71 BPM | ||
Es ist ein Ros' entsprungen | Michael Praetorius, Peter Kopp, Vocal Concert Dresden | F Major | 0 | 7B | 172 BPM | ||
Lieder ohne Worte, Op. 120/1: Andante - un poco agitato | Felix Mendelssohn, Javier Perianes | E Minor | 0 | 9A | 68 BPM | ||
Les Boréades - Contredanse très vive | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | C Minor | 0 | 5A | 104 BPM | ||
Hymne a la nuit (arr. J. Noyon): La nuit , The Night | Jean-Philippe Rameau, Joseph Noyon, La Petite Bande De Montréal, Martin Dagenais | D♭ Major | 2 | 3B | 142 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: No. 10 Jesu, Joy Of Man's Desiring (Arr. by Guillermo Figueroa) | Johann Sebastian Bach, Orpheus Chamber Orchestra | G Major | 1 | 9B | 66 BPM | ||
Cantate, BuxWV 15: Alleluia | Dietrich Buxtehude, Laurence Equilbey, Accentus, Concerto Köln | B Minor | 2 | 10A | 77 BPM | ||
Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin | D♭ Major | 3 | 3B | 100 BPM |
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