Dietrich Buxtehude, Laurence Equilbey, Accentus, Concerto Köln's 'Cantate, BuxWV 15: Alleluia' came out on January 4, 2010. The duration of Cantate, BuxWV 15: Alleluia is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Cantate, BuxWV 15: Alleluia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Nuit sacrée". In this album, this song's track order is #5. Cantate, BuxWV 15: Alleluia is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantate, BuxWV 15: Alleluia by Dietrich Buxtehude, Laurence Equilbey, Accentus, Concerto Köln having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois anges sont venus ce soir | Augusta Mary Anne Holmès, Sandrine Piau, Laurence Equilbey, Aurélie Saraf, Sonia Wieder-Atherton | E Minor | 0 | 9A | 151 BPM | ||
Anon / Arr Casals: El cant dels ocells | Anonymous, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | A Minor | 0 | 8A | 91 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
A Sea Symphony: III. Scherzo: The Waves (Allegro brillante) | Ralph Vaughan Williams, Margaret Marshall, Richard Hickox, Philharmonia Orchestra | D Minor | 2 | 7A | 84 BPM | ||
Requiem in D Minor, K. 626: I. Requiem æternam (Introitus) | Wolfgang Amadeus Mozart, Laurence Equilbey, Sandrine Piau, Accentus, Insula Orchestra | B Minor | 1 | 10A | 135 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
III. Christen, Ätzet Diesen Tag BWV 63, On The 1st Day Of Christmas, Am 1. Weihnachtstag: Recitativo (Alto), O Selger Tag! | Pieter Jan Leusink, Susan Williams, Will Wroth, Louis Van Emmerik, Bas Ramselaar, Marjon Strijk, David Kjar, Geerten Rooze, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Frank Aarnink, Nico Van Der Meel | B Major | 2 | 1B | 139 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Les Indes galantes: Forêts paisibles | Jean-Philippe Rameau, Thomas Dolie, Emőke Baráth, Chantal Santon Jeffery, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 3 | 11A | 92 BPM | ||
Dixit Dominus, HWV 232: Dixit Dominus | George Frideric Handel, Rory O'Connor, Angela Kazimierczuk, Charles Humphries, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 93 BPM |
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