Gioachino Rossini, Hermann Prey, Teresa Berganza, London Symphony Orchestra, Claudio Abbado's 'Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?"' came out on January 1, 1972. With this song being about 5 minutes long, at 4:57, "Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?"" by Gioachino Rossini, Hermann Prey, Teresa Berganza, London Symphony Orchestra, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Rossini: Il Barbiere di Siviglia (Highlights)". In this album, this song's track order is #6. Based on our statistics, Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?" by Gioachino Rossini, Hermann Prey, Teresa Berganza, London Symphony Orchestra, Claudio Abbado having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern | Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 71 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt) | Ludwig van Beethoven, Riccardo Muti, James Morris, Philadelphia Orchestra | B♭ Major | 0 | 6B | 77 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
3 Marches militaires, D. 733: Marche Militaire in D Major, Op. 51, No. 1 (Arr. Weninger) | Franz Schubert, Wiener Philharmoniker, Hans Knappertsbusch | D Major | 7 | 10B | 138 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Il Barbiere di Siviglia: Act II: Ma vedi il mio destino - Pace e gioia sia con voi | Gioachino Rossini, Cesare Sterbini, Salvatore Baccaloni, Giuseppe Di Stefano, Alberto Erede | B♭ Major | 3 | 6B | 127 BPM |
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