Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft made "The Rake's Progress: Act I Scene 1: Aria: Since it is not by merit… (Tom)" available on May 26, 2009. With The Rake's Progress: Act I Scene 1: Aria: Since it is not by merit… (Tom) being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress: Act I Scene 1: Aria: Since it is not by merit… (Tom) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Rake's Progress: Act I Scene 1: Aria: Since it is not by merit… (Tom) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : I Molto moderato - Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 3. Allegretto | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM |
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