- BPM
- 130
- Key
- E♭ Minor
- Camelot
- 2A
Il Turco in Italia / Act 2: "Chi avria creduto" - Gioachino Rossini, Cecilia Bartoli, Roberto de Candia, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly Information
- Acousticness
- 96%
- Danceability
- 61%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 54%
- Speechiness
- 42%
- Valence
- 27%
- Popularity
- 0%
- Loudness
- -27.338 dB
Summary
Gioachino Rossini, Cecilia Bartoli, Roberto de Candia, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly's 'Il Turco in Italia / Act 2: "Chi avria creduto"' came out on January 1, 1998. With Il Turco in Italia / Act 2: "Chi avria creduto" being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Rossini: Il Turco In Italia". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Il Turco in Italia / Act 2: "Chi avria creduto"'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Il Turco in Italia / Act 2: "Chi avria creduto" BPM
With Il Turco in Italia / Act 2: "Chi avria creduto" by Gioachino Rossini, Cecilia Bartoli, Roberto de Candia, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
Il Turco in Italia / Act 2: "Chi avria creduto" Key
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il Barbiere di Siviglia (1996 Digital Remaster): Di sì felice innesto (Tutti) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | A Major | 2 | 11B | 77 BPM | |
 | Sylvia: Act I: Les chasseresses (Fanfare) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 83 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 1: "Largo al factotum" (Figaro) | Gioachino Rossini, Alceo Galliera, Tito Gobbi, Philharmonia Orchestra | G Major | 2 | 9B | 67 BPM | |
 | Orphée aux enfers, ACT 2, Troisième tableau: un roi de Béotie - Le boudoir de Pluton: Galop | Jacques Offenbach, Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 7 | 8B | 92 BPM | |
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
 | Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent) | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | |
 | Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio: Overture | Ludwig van Beethoven, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM |
- ISRC
- GBF079740659
- Label
- L-M Records/RCA Records
Section: 0.8071689605712891
End: 0.8111648559570312