Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam's 'Children's Corner, L. 113: IV. The Snow is Dancing (Transcr. Shigeaki Saegusa)' came out on August 19, 2002. The duration of Children's Corner, L. 113: IV. The Snow is Dancing (Transcr. Shigeaki Saegusa) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Children's Corner, L. 113: IV. The Snow is Dancing (Transcr. Shigeaki Saegusa)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 15 in Debussy: Harp Works by Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam. In terms of popularity, Children's Corner, L. 113: IV. The Snow is Dancing (Transcr. Shigeaki Saegusa) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Children's Corner, L. 113: IV. The Snow is Dancing (Transcr. Shigeaki Saegusa) by Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Zoetrope | Joep Beving | D Minor | 0 | 7A | 134 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune (Andante très expressif) | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Debussy: Sonata for Flute, Viola and Harp, CD 145, L. 137: II. Interlude. Tempo di minuetto | Claude Debussy, Markus Klinko, Benoît Fromanger, Pierre Lénert | F♯ Major | 1 | 2B | 68 BPM | ||
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
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