Johann Sebastian Bach, Elisabeth Von Magnus, Ton Koopman, Amsterdam Baroque Orchestra's 'Weihnachtsoratorium, BWV 248, Pt. 1: "Bereite dich, Zion" (Contralto)' came out on January 18, 2021. With this song being about 5 minutes long, at 5:13, "Weihnachtsoratorium, BWV 248, Pt. 1: "Bereite dich, Zion" (Contralto)" by Johann Sebastian Bach, Elisabeth Von Magnus, Ton Koopman, Amsterdam Baroque Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Work - Bach by Johann Sebastian Bach. The song's track number on the album is #38 out of 250 tracks. Based on our statistics, Weihnachtsoratorium, BWV 248, Pt. 1: "Bereite dich, Zion" (Contralto)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Weihnachtsoratorium, BWV 248, Pt. 1: "Bereite dich, Zion" (Contralto) by Johann Sebastian Bach, Elisabeth Von Magnus, Ton Koopman, Amsterdam Baroque Orchestra has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Weihnachtsoratorium, BWV 248, Pt. 1: "Bereite dich, Zion" (Contralto) being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 1 in E Major for solo violin, RV269 "La Primavera": 2. Largo | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | A Major | 1 | 11B | 90 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Clavierbuchlein for Anna Magdalena Bach, Book 2, BWV Anh. 113-132 (arr. for violin and piano): Minuet in G Major, BWV Anh. 114 (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 128 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM |
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