"L'alba separa dalla luce l'ombra" by Francesco Paolo Tosti, Gabriele D'Annunzio, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan was released on August 7, 2015. The duration of L'alba separa dalla luce l'ombra is about 3 minutes long, at 3:09. Based on our data, "L'alba separa dalla luce l'ombra" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Juan Diego Flórez's "Italia" album is number 14 out of 17. On top of that, United Kingdom appears to be the country where this track was created. L'alba separa dalla luce l'ombra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'alba separa dalla luce l'ombra by Francesco Paolo Tosti, Gabriele D'Annunzio, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Rinaldo / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 92 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 9 & 10. N.21 Duettino Susanna, La Contessa "Su l'aria..." | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 83 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
A Chloris | Reynaldo Hahn, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 1 | 12B | 175 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Tu, ca nun chiagne! | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | A Minor | 2 | 8A | 90 BPM | ||
Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM |
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