"Orfeo ed Euridice, Act II: Dance of the Blessed Spirit, "Melodie d'Orfee" (arr. G. Sgambati)" by Giovanni Sgambati, Christoph Willibald Gluck, Dmitry Paperno was released on January 1, 2000. The duration of Orfeo ed Euridice, Act II: Dance of the Blessed Spirit, "Melodie d'Orfee" (arr. G. Sgambati) is about 3 minutes long, at 3:13. Based on our data, "Orfeo ed Euridice, Act II: Dance of the Blessed Spirit, "Melodie d'Orfee" (arr. G. Sgambati)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Paperno, Dmitry: Uncommon Encores". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Orfeo ed Euridice, Act II: Dance of the Blessed Spirit, "Melodie d'Orfee" (arr. G. Sgambati) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orfeo ed Euridice, Act II: Dance of the Blessed Spirit, "Melodie d'Orfee" (arr. G. Sgambati) by Giovanni Sgambati, Christoph Willibald Gluck, Dmitry Paperno having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Stephen Hough, Bryden Thomson, Hallé | F Major | 0 | 7B | 66 BPM | ||
Fantasien op. 116: Intermezzo: Adagio | Johannes Brahms, Martin Tchiba | E Major | 0 | 12B | 66 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Melodies poetiques, Op. 36: XII. Profonda pena | Giovanni Sgambati, Francesco Caramiello | A♭ Major | 0 | 4B | 134 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) - Arr. Giovanni Sgambati | Christoph Willibald Gluck, Evgeny Kissin | D Minor | 0 | 7A | 103 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
The Swans: Valse Mélancolique No. 1 in C Minor | Danaë Xanthe Vlasse | C Minor | 1 | 5A | 114 BPM |
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