"The Hours - The Hours - Arr. for cello and piano by Bruno Fontaine: The poet acts" by Philip Glass, Henri Demarquette, Vanessa Benelli Mosell was released on June 3, 2020. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philip Glass, Michael Nyman, Steve Reich's "Minimalism for the Mind" album is number 131 out of 256. The popularity of The Hours - The Hours - Arr. for cello and piano by Bruno Fontaine: The poet acts is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Hours - The Hours - Arr. for cello and piano by Bruno Fontaine: The poet acts by Philip Glass, Henri Demarquette, Vanessa Benelli Mosell to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Girl with the Flaxen Hair | Hajime Mizoguchi | G Major | 1 | 9B | 83 BPM | ||
Night on the Balcony | Lavinia Meijer, Philip Glass | C Minor | 0 | 5A | 130 BPM | ||
Metamorphosis Two | Philip Glass, Valentina Lisitsa | A Minor | 0 | 8A | 66 BPM | ||
Orbits | Ludovico Einaudi, Daniel Hope | E Minor | 4 | 9A | 120 BPM | ||
Faded Leaves Fall | Gabríel Ólafs | E Minor | 0 | 9A | 68 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
Old Katarakt | Wim Mertens | B Minor | 3 | 10A | 101 BPM | ||
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM |
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