"Requiem in D minor, K.626: 6. Benedictus" by Wolfgang Amadeus Mozart, Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, London Mozart Players, Jane Glover was released on January 1, 1991. With this song being about 5 minutes long, at 4:38, "Requiem in D minor, K.626: 6. Benedictus" by Wolfgang Amadeus Mozart, Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, London Mozart Players, Jane Glover is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, BBC Singers, London Mozart Players, Jane Glover's "Mozart: Requiem; Maurerische Trauermusik" album is number 12 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Requiem in D minor, K.626: 6. Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D minor, K.626: 6. Benedictus by Wolfgang Amadeus Mozart, Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, London Mozart Players, Jane Glover to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: II. Adagio | Wolfgang Amadeus Mozart, Sam Franko, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 96 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | D Major | 1 | 10B | 96 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | A Major | 0 | 11B | 73 BPM | ||
Requiem In D Minor, K. 626: Kyrie Eleison | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 82 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 62 BPM |
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