"Gräfin Mariza: Wenn es Abend wird/Grüss mir die süßen, die reizenden Frauen" by Emmerich Kálmán, Carl Millöcker, Vienna State Opera Orchestra, Vienna State Opera Chorus, Erich Christ, Franz Bauer-Theussl was released on September 1, 2010. The duration of Gräfin Mariza: Wenn es Abend wird/Grüss mir die süßen, die reizenden Frauen is about 3 minutes long, at 3:16. Based on our data, "Gräfin Mariza: Wenn es Abend wird/Grüss mir die süßen, die reizenden Frauen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 32 in Beliebte Operettenmelodien by Carl Millöcker, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Gräfin Mariza: Wenn es Abend wird/Grüss mir die süßen, die reizenden Frauen is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gräfin Mariza: Wenn es Abend wird/Grüss mir die süßen, die reizenden Frauen by Emmerich Kálmán, Carl Millöcker, Vienna State Opera Orchestra, Vienna State Opera Chorus, Erich Christ, Franz Bauer-Theussl is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
Gräfin Mariza, Act I: "Bravo, Herr Verwalter" (Mariza, Tassilo, Chor) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Sena Jurinaz, Karl Terkal, Chor Des NDR Hamburg | F Major | 4 | 7B | 95 BPM | ||
Die Csárdásfürstin: Act I: "Alle sind wir Sünder - Die Mädis von Chantant" | Emmerich Kálmán, Hannerose Katterfeld, Eberhard Büchner, Chor der Staatsoper Dresden, Dresdner Philharmonie, Heinz Rögner | F Major | 3 | 7B | 116 BPM | ||
Evening Party | Shanghai Philharmonic Orchestra | A Minor | 1 | 8A | 110 BPM | ||
Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] | Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 4 | 12B | 79 BPM | ||
The Csardas Princess, Prelude: One Heart, One Sweetheart | Emmerich Kálmán, Orchestra Of The State Operetta Theater, Tamás Bródy | D Major | 1 | 10B | 141 BPM | ||
Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM |
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