George Gershwin, Gil Shaham, Akira Eguchi's 'Porgy and Bess: It Ain't Necessarily So' came out on January 1, 1997. The duration of Porgy and Bess: It Ain't Necessarily So is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Porgy and Bess: It Ain't Necessarily So's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Fiddler Of The Opera". In this album, this song's track order is #10. Porgy and Bess: It Ain't Necessarily So is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Porgy and Bess: It Ain't Necessarily So by George Gershwin, Gil Shaham, Akira Eguchi having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Merry Andrew: Allegretto | George Gershwin, Frank Braley | A Major | 0 | 11B | 156 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla | Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | G Major | 1 | 9B | 124 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
Porgy and Bess: Act III Scene 3: Oh Lawd, I'm On My Way! | George Gershwin, Andrew Litton, Gordon Hawkins, Dallas Symphony Chorus, Dallas Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
Fantaisie sur un theme original | Jules Demersseman, Claude Delangle, Odile Delangle | B♭ Major | 1 | 6B | 114 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
The Ragtime Dance | Scott Joplin, Joshua Rifkin | E♭ Major | 1 | 5B | 92 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Yo-Yo Ma, Emanuel Ax | E♭ Major | 0 | 5B | 85 BPM | ||
Strike Up the Band: Overture (arr. D. Rose for orchestra) | George Gershwin, Don Rose, Buffalo Philharmonic Orchestra, Joann Falletta | G Major | 1 | 9B | 109 BPM |
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