"Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer" (Arr. Carl Czerny): II. Andante con variazioni" by Ludwig van Beethoven, Tanguy de Williencourt, Bruno Philippe was released on September 22, 2017. Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer" (Arr. Carl Czerny): II. Andante con variazioni appears to be safe for all ages as it is not explicit. The song is number 2 out of 9 in Bruno Philippe & Tanguy de Williencourt - harmonia nova #5 by Bruno Philippe, Tanguy de Williencourt. Based on our statistics, Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer" (Arr. Carl Czerny): II. Andante con variazioni's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer" (Arr. Carl Czerny): II. Andante con variazioni by Ludwig van Beethoven, Tanguy de Williencourt, Bruno Philippe is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Mass in C Major, Op. 86: II. Gloria | Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam | C Major | 3 | 8B | 104 BPM |
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