Manuel de Falla, MARÍA TOLEDO, Bilbao Sinfonietta, Iker Sánchez Silva made "El amor brujo, Scene 2 (1915 Version): No. 16, Final. Las campanas del amanecer" available on February 4, 2022. With El amor brujo, Scene 2 (1915 Version): No. 16, Final. Las campanas del amanecer being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 23 in Falla 1915 by Manuel de Falla, MARÍA TOLEDO, Bilbao Sinfonietta, Iker Sánchez Silva, Francisco Domínguez. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, El amor brujo, Scene 2 (1915 Version): No. 16, Final. Las campanas del amanecer is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of El amor brujo, Scene 2 (1915 Version): No. 16, Final. Las campanas del amanecer by Manuel de Falla, MARÍA TOLEDO, Bilbao Sinfonietta, Iker Sánchez Silva is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde | E Minor | 0 | 9A | 92 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
El Amor brujo: Quadre Segon: Introduccion | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | G Major | 0 | 9B | 85 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM | ||
Sonate en La Mineur, K. 109: Adagio | Domenico Scarlatti, Anne Queffélec | A Minor | 0 | 8A | 136 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM |
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