"Norma: Act I: Ma di' … l'amato giovane (Norma, Adalgisa, Pollione)" by Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto had its release date on February 1, 2015. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 45 in Bellini: Norma (1955) by Vincenzo Bellini, Maria Callas, Gabriella Carturan, Mario del Monaco, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Norma: Act I: Ma di' … l'amato giovane (Norma, Adalgisa, Pollione) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma: Act I: Ma di' … l'amato giovane (Norma, Adalgisa, Pollione) by Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Voi che sapete" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 67 BPM | ||
Così fan tutte, K.588 / Act 1: "Al fato dan legge" - "La commedia è graziosa" | Wolfgang Amadeus Mozart, Francisco Araiza, Thomas Allen, José van Dam, Karita Mattila, Anne Sofie von Otter, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 105 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Capuleti E I Montecchi, Act I: Se Romeo T'uccise Un Figlio | Felice Romani, Latvian National Symphony Orchestra, Elina Garanca, Vincenzo Bellini | G Major | 1 | 9B | 74 BPM | ||
Lucia di Lammermoor / Act 1: Preludio - "Percorrete le spiaggie vicine" | Gaetano Donizetti, Pier Francesco Poli, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM |