Missa brevis, Op. 63: Sanctus - Benjamin Britten, Benedict Giles, William Goldring, Edward Minton, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson Information

Acousticness: 98%
Danceability: 27%
Energy: 4%
Instrumentalness: 4%
Liveness: 13%
Loudness: 58%
Speechiness: 4%
Valence: 10%
Popularity: 3%
Loudness: -25.371 dB

Summary

"Missa brevis, Op. 63: Sanctus" by Benjamin Britten, Benedict Giles, William Goldring, Edward Minton, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson was released on May 2, 2000. With Missa brevis, Op. 63: Sanctus being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 22 in Britten: Rejoice in the Lamb / Hymn To St. Cecilia / Missa Brevis, Op. 63 by Benjamin Britten, Choir of St. John's College, Cambridge, Christopher Robinson. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Missa brevis, Op. 63: Sanctus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Missa brevis, Op. 63: Sanctus BPM

The tempo marking of Missa brevis, Op. 63: Sanctus by Benjamin Britten, Benedict Giles, William Goldring, Edward Minton, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Missa brevis, Op. 63: Sanctus Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio	Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists	D♭ Minor	0	12A	103 BPM
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	A♭ Major	0	4B	82 BPM
Noye's Fludde, Op. 59: "Noye, Noye, Take Thou Thy Company"	Benjamin Britten, Trevor Anthony, Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus Of Animals, The English Opera Group Orchestra, Merlin Channon, Norman Del Mar	F Major	3	7B	113 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
Aladdin Suite, Op. 34, FS 89: VII. Negro Dance	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	B♭ Major	3	6B	157 BPM
Simple Symphony, Op. 4: I. Boisterous Bourrée	Benjamin Britten, English Chamber Orchestra	A Minor	2	8A	106 BPM
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	D Minor	0	7A	94 BPM
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum	Gabriel Fauré, Paavo Järvi, Orchestre de Paris	D Major	0	10B	147 BPM
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto	Dag Wirén, Bournemouth Sinfonietta, Richard Studt	C Major	1	8B	129 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	F Major	1	7B	127 BPM

ISRC: HKI199928216
Label: L-M Records/RCA Records

Section: 0.726407527923584

End: 0.7305428981781006