Tomaso Albinoni, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian's 'Flute Concerto in G Major, Op. 9, No. 6: II. Adagio' came out on January 1, 2004. The duration of Flute Concerto in G Major, Op. 9, No. 6: II. Adagio is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Flute Concerto in G Major, Op. 9, No. 6: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 18 in Albinoni, T.G.: Flute Concerto, Op. 9, No. 6 / Pergolesi, G.B.: Concerto for Flute and 2 Violins in G Major by Raffaele Trevisani, Constantine Orbelian. Flute Concerto in G Major, Op. 9, No. 6: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flute Concerto in G Major, Op. 9, No. 6: II. Adagio by Tomaso Albinoni, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM |
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