"Suite in E Minor (arr. S. Pauley): I. Preludio" by Gaspar Sanz, Scott Pauley, Becky Baxter, Danny Mallon, Chatham Baroque was released on January 1, 2000. With Suite in E Minor (arr. S. Pauley): I. Preludio being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 24 in Chamber Music (Baroque) - Sanz, G. / Castro, F.J. De / Huete, D.F. De / Ortiz, D. / Falconieri, A. (Espanoleta) by Chatham Baroque. In terms of popularity, Suite in E Minor (arr. S. Pauley): I. Preludio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite in E Minor (arr. S. Pauley): I. Preludio by Gaspar Sanz, Scott Pauley, Becky Baxter, Danny Mallon, Chatham Baroque is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Danzas españolas, Op.37: No.2 Oriental | Enrique Granados, Miloš Karadaglić | E Minor | 0 | 9A | 91 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): II. Cataluna (Corranda) | Jason Vieaux, Isaac Albéniz | G Minor | 1 | 6A | 78 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 108 BPM | ||
3 Rondo brillants, Op. 2: No. 2b in A Minor. Rondo moderato | Dionisio Aguado, Lorenzo Micheli | A Minor | 1 | 8A | 95 BPM | ||
Montero: Canarios (Improvisation on a Theme of Gaspar Sanz) | Gabriela Montero, Gaspar Sanz | G Major | 2 | 9B | 80 BPM | ||
Canarios | Gaspar Sanz, Timo Korhonen | D Major | 1 | 10B | 168 BPM | ||
4 Piano Pieces: No. 2. Fandango del ventorrillo (arr. P. Romero) | Jérémy Jouve | F Minor | 1 | 4A | 120 BPM | ||
Nocturno | Federico Moreno Torroba, Tilman Hoppstock | A Minor | 1 | 8A | 66 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Morning's Rag | Ricardo Cobo | A Major | 2 | 11B | 164 BPM |
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