Manuel Ponce, Maria Angelica Funes made "3 Canciónes populares mexicanas" available on August 18, 2017. The duration of 3 Canciónes populares mexicanas is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. 3 Canciónes populares mexicanas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 81 in the song's album "Segovia & Contemporaries, Vol. 11: Rio de la Plata Guitarists". In this album, this song's track order is #14. Based on our statistics, 3 Canciónes populares mexicanas's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 3 Canciónes populares mexicanas by Manuel Ponce, Maria Angelica Funes having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Studies, Op. 35, "Exercises": No. 17 in D Major (Arr. A. Segovia for Guitar) | Fernando Sor, Eros Roselli | G Major | 1 | 9B | 106 BPM | ||
Drunken Ecstasy (arr. Xuefei Yang for guitar) | Xuefei Yang, Ruan Ji | F Major | 0 | 7B | 74 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Ständchen, D. 889 | Franz Schubert, Tanguy de Williencourt, Bruno Philippe | D Major | 0 | 10B | 76 BPM | ||
Milonga del viento | Jorge Morel, Ricardo Cobo | A Minor | 1 | 8A | 123 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Berceuse for Piano in D-Flat Major | Mily Balakirev, Christian Spring | D♭ Major | 0 | 3B | 80 BPM | ||
4 Valses Venezolanos: Vals No. 1 | Antonio Lauro, Adam Holzman | D Major | 2 | 10B | 92 BPM |
Section: 0.6939806938171387
End: 0.7000784873962402