"3 Morceaux en forme de poire, IES 38: 7. Redite" by Erik Satie, Robert Casadesus, Gaby Casadesus was released on 1949. With 3 Morceaux en forme de poire, IES 38: 7. Redite being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 204 in Erik Satie & Friends by Erik Satie. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, 3 Morceaux en forme de poire, IES 38: 7. Redite is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 3 Morceaux en forme de poire, IES 38: 7. Redite by Erik Satie, Robert Casadesus, Gaby Casadesus is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pieces Froides : No. 2 Trois Danses De Travers | Erik Satie, Klara Kormendi | A Minor | 1 | 8A | 70 BPM | ||
Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | ||
Valse Melancolique No. 1 in C Minor | Carlos Marquez | C Minor | 3 | 5A | 124 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) | Nandor Gotz, Erik Satie, Balazs Szokolay | F Minor | 0 | 4A | 109 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Gnossiennes: Gnossienne No.3 | Erik Satie, Roland Pöntinen | G Major | 0 | 9B | 136 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM |
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