Johann Strauss I, Christian Thielemann, Wiener Philharmoniker made "Radetzky-Marsch, Op. 228" available on January 12, 2024. The duration of Radetzky-Marsch, Op. 228 is about 3 minutes long, at 3:21. Based on our data, "Radetzky-Marsch, Op. 228" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Neujahrskonzert 2024 / New Year's Concert 2024 / Concert du Nouvel An 2024". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. In terms of popularity, Radetzky-Marsch, Op. 228 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Radetzky-Marsch, Op. 228 by Johann Strauss I, Christian Thielemann, Wiener Philharmoniker having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Minor, WAB 100 ("Nullified" Second Symphony, also called "nullte"): III. Scherzo. Presto - Trio. Langsamer und ruhiger | Anton Bruckner, Christian Thielemann, Wiener Philharmoniker | B♭ Major | 1 | 6B | 113 BPM | ||
Radetzky-Marsch, Op. 228 | Johann Strauss I, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | A Major | 5 | 11B | 111 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Erinnerungs-Galoppe (Reminiscence Galop), Op. 27 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | B♭ Major | 3 | 6B | 149 BPM | ||
Mini 5th | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Fisher’s Hornpipe (Arr. C. McTee & F. Slatkin for Orchestra) | Traditional, The Manhattan School of Music Symphony Orchestra, Leonard Slatkin | D Major | 4 | 10B | 74 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Demolirer Polka OP. 269 | Wiener Philharmoniker, Clemens Krauss | A♭ Minor | 2 | 1A | 85 BPM |
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