On June 5, 2018, the song "Henry Eccles: Double Bass Sonata in G Minor, No.11: II. Allegro con spirito" was released by Henry Eccles, Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki. With Henry Eccles: Double Bass Sonata in G Minor, No.11: II. Allegro con spirito being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 10 in Double Bass Masterpieces by Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki. In terms of popularity, Henry Eccles: Double Bass Sonata in G Minor, No.11: II. Allegro con spirito is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Henry Eccles: Double Bass Sonata in G Minor, No.11: II. Allegro con spirito by Henry Eccles, Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A Minor, for Double Bass & String Quartet: IV. Vivace | Henry Eccles, Bernard Cazauran | A Minor | 1 | 8A | 98 BPM | ||
Violin Concerto No. 2 In E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | D♭ Minor | 1 | 12A | 99 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Lieder ohne Worte, Op. 102: No. 3 Presto (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 4 | 8B | 78 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 1 in E Major | Niccolò Paganini, Augustin Hadelich | E Major | 2 | 12B | 87 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 21 in A | Niccolò Paganini, Itzhak Perlman | A Major | 1 | 11B | 57 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Sonata No. 2 in A Minor, Op. 27 No. 2: I. "Obession" (Prelude):Poco vivace | Eugène Ysaÿe, James Ehnes | A Minor | 2 | 8A | 128 BPM |
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