"Collegium Sancti Johannis Cantabrigiense: II. Nunc dimittis" by Herbert Howells, The Choir of St. George's Church, Christopher Gray, Nigel McClintock was released on December 6, 1999. The duration of Collegium Sancti Johannis Cantabrigiense: II. Nunc dimittis is about 3 minutes long, at 3:12. Based on our data, "Collegium Sancti Johannis Cantabrigiense: II. Nunc dimittis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Choir of St. George's Church, Christopher Gray, Nigel McClintock's "Magnificat & Nunc dimittis, Vol. 19" album is number 8 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Collegium Sancti Johannis Cantabrigiense: II. Nunc dimittis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Collegium Sancti Johannis Cantabrigiense: II. Nunc dimittis by Herbert Howells, The Choir of St. George's Church, Christopher Gray, Nigel McClintock to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer Idyls: IV. Down the Hills | Herbert Howells, Matthew Schellhorn | B Major | 1 | 1B | 95 BPM | ||
Our Father | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) | Béla Bartók, Schola Hungarica, László Dobszay | C Minor | 0 | 5A | 80 BPM | ||
Psalm-Preludes No. 1 in D Minor, Op. 32 | Herbert Howells, Adriano Falcioni | C Minor | 0 | 5A | 74 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Dixit Maria | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 106 BPM | ||
All-Night Vigil, Op. 37: VII. The Six Psalms. "Glory to God in the Highest" | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 10 | 9A | 91 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | ||
Mass of the Americas: IX. Salve regina | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | E Major | 3 | 12B | 88 BPM |
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