"Schnittke: Piano Quintet: III. Andante" by Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya was released on January 1, 1991. Schnittke: Piano Quintet: III. Andante is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Schnittke: String Quartet No. 3, Piano Quartet & Piano Quintet - Mahler: Piano Quartet". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Schnittke: Piano Quintet: III. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schnittke: Piano Quintet: III. Andante by Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamb | John Tavener, 12 Ensemble | E Minor | 0 | 9A | 72 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Short Ride in a Fast Machine | John Adams, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 5 | 10B | 152 BPM | ||
Serenade After Plato's "Symposium" - I. Phaedrus; Pausanias (Lento; Allegro Marcato) | Leonard Bernstein, Renaud Capuçon, Dennis Russell Davis, Bruckner Orchester Linz | C Minor | 2 | 5A | 165 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Requiem: 11. Benedictus | Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg, Anna Styazhkina, Marianna Vysotskaya, Percussion ensemble of the Moscow Philharmonic Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
6 Bagatelles: I. Allegro con spirito | György Ligeti, Berlin Philharmonic Wind Quintet | E Minor | 0 | 9A | 87 BPM |
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