Elisabeth Schwarzkopf, Otto Ackermann, Orchestra Philharmonia's 'Was mir der Zufall gab (from "Eine Nacht in Venedig")' came out on June 14, 2011. With Was mir der Zufall gab (from "Eine Nacht in Venedig") being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 21 in Elisabeth Schwarzkopf sings Operetta by Elisabeth Schwarzkopf, Orchestra Philharmonia, Otto Ackermann. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Was mir der Zufall gab (from "Eine Nacht in Venedig") is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Was mir der Zufall gab (from "Eine Nacht in Venedig") by Elisabeth Schwarzkopf, Otto Ackermann, Orchestra Philharmonia is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Nachtviolen, D. 752 | Elisabeth Schwarzkopf, Edwin Fischer | G Minor | 1 | 6A | 97 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | ||
Die Zauberflöte, K. 620 / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" | Wolfgang Amadeus Mozart, Rolando Villazón, Regula Mühlemann, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Major | 3 | 10B | 123 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM |
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