"Verdi: Aida, Act 1 Scene 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Radames, Amneris, Aida, Messaggiero, Sacerdoti, Ministri, Capitani)" by Giuseppe Verdi, Ferruccio Mazzoli, Birgit Nilsson, Franco Corelli, Grace Bumbry, Bonaldo Giaiotti, Piero de Palma, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. The duration of Verdi: Aida, Act 1 Scene 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Radames, Amneris, Aida, Messaggiero, Sacerdoti, Ministri, Capitani) is about 3 minutes long, at 3:14. Based on our data, "Verdi: Aida, Act 1 Scene 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Radames, Amneris, Aida, Messaggiero, Sacerdoti, Ministri, Capitani)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi - Aida by Giuseppe Verdi, Zubin Mehta, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Grace Bumbry, Franco Corelli, Mario Sereni. The song's track number on the album is #8 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi: Aida, Act 1 Scene 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Radames, Amneris, Aida, Messaggiero, Sacerdoti, Ministri, Capitani) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 1 Scene 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Radames, Amneris, Aida, Messaggiero, Sacerdoti, Ministri, Capitani) by Giuseppe Verdi, Ferruccio Mazzoli, Birgit Nilsson, Franco Corelli, Grace Bumbry, Bonaldo Giaiotti, Piero de Palma, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Verdi: Aida, Act 1 Scene 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Radames, Amneris, Aida, Messaggiero, Sacerdoti, Ministri, Capitani) being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Rossini: Il Barbiere di Siviglia: La ran la le ra la ran la la ... Largo al factotum ... (Figaro) - 1996 Remaster | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 4 | 8B | 75 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM |
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