Myrthen, Op. 25: 20. Weit, weit
Robert Schumann, Edith Mathis, Christoph Eschenbach
Schumann: Frauenliebe und Leben & andere Lieder
3:11 January 1, 2001
BPM
82
Key
A Minor
Camelot
8A

Embed

Share Link

Myrthen, Op. 25: 20. Weit, weit - Robert Schumann, Edith Mathis, Christoph Eschenbach Information

Acousticness
99%
Danceability
32%
Energy
3%
Instrumentalness
0%
Liveness
6%
Loudness
60%
Speechiness
6%
Valence
4%
Popularity
Loudness
-23.712 dB

Summary

"Myrthen, Op. 25: 20. Weit, weit" by Robert Schumann, Edith Mathis, Christoph Eschenbach was released on January 1, 2001. The duration of Myrthen, Op. 25: 20. Weit, weit is about 3 minutes long, at 3:11. Based on our data, "Myrthen, Op. 25: 20. Weit, weit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "Schumann: Frauenliebe und Leben & andere Lieder". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Myrthen, Op. 25: 20. Weit, weit is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Myrthen, Op. 25: 20. Weit, weit BPM

With Myrthen, Op. 25: 20. Weit, weit by Robert Schumann, Edith Mathis, Christoph Eschenbach having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Myrthen, Op. 25: 20. Weit, weit Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Premier Nocturne, Op. 22 by Charles-Valentin Alkan, Michael LandrumPremier Nocturne, Op. 22Charles-Valentin Alkan, Michael LandrumB Major01B135 BPM
Piano Quintet in C Minor: I. Andante by Alexander Borodin, Ilona Prunyi, New Budapest QuartetPiano Quintet in C Minor: I. AndanteAlexander Borodin, Ilona Prunyi, New Budapest QuartetC Minor15A68 BPM
Lyric Pieces Book I, Op. 12: No. 1 Arietta by Edvard Grieg, Emil GilelsLyric Pieces Book I, Op. 12: No. 1 AriettaEdvard Grieg, Emil GilelsE♭ Major05B130 BPM
3 Romances, Op. 11: 1. Andante by Clara Schumann, Isata Kanneh-Mason3 Romances, Op. 11: 1. AndanteClara Schumann, Isata Kanneh-MasonE♭ Minor02A127 BPM
The Arts and the Hours by Jean-Philippe Rameau, Víkingur ÓlafssonThe Arts and the HoursJean-Philippe Rameau, Víkingur ÓlafssonD♭ Major03B136 BPM
Keyboard Sonata in D Minor, Kk. 1 by Domenico Scarlatti, Ivo PogorelichKeyboard Sonata in D Minor, Kk. 1Domenico Scarlatti, Ivo PogorelichD Minor17A107 BPM
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile by Ludwig van Beethoven, Mischa Maisky, Martha ArgerichCello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabileLudwig van Beethoven, Mischa Maisky, Martha ArgerichE Major012B89 BPM
Nocturnes, Op. 27: No. 2 in D-Flat Major by Frédéric Chopin, Arthur RubinsteinNocturnes, Op. 27: No. 2 in D-Flat MajorFrédéric Chopin, Arthur RubinsteinD♭ Major03B77 BPM
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante by Clara Schumann, Sara CostaThree Romances, Op. 11: No. 1 in E-Flat Minor, AndanteClara Schumann, Sara CostaE♭ Minor12A134 BPM
Suite in D Minor, HWV 447: Allemande by George Frideric Handel, David GreilsammerSuite in D Minor, HWV 447: AllemandeGeorge Frideric Handel, David GreilsammerD Minor17A74 BPM
ISRC
DEF057902980
Label
L-M Records/RCA Records

Section: 0.7045679092407227

End: 0.708127498626709