- BPM
- 79
- Key
- D Major
- Camelot
- 10B
La Damnation de Faust, Op. 24 / Part 3: Menuet des Follets - Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan Information
- Acousticness
- 95%
- Danceability
- 32%
- Energy
- 6%
- Instrumentalness
- 57%
- Liveness
- 9%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 2%
- Loudness
- -27.292 dB
Summary
"La Damnation de Faust, Op. 24 / Part 3: Menuet des Follets" by Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1999. La Damnation de Faust, Op. 24 / Part 3: Menuet des Follets is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 7 out of 7 in Berlioz: Symphonie fantastique Op.14; La Damnation de Faust Op.24 by Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. La Damnation de Faust, Op. 24 / Part 3: Menuet des Follets is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Damnation de Faust, Op. 24 / Part 3: Menuet des Follets BPM
The tempo marking of La Damnation de Faust, Op. 24 / Part 3: Menuet des Follets by Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
La Damnation de Faust, Op. 24 / Part 3: Menuet des Follets Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | |
 | Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | |
 | Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | |
 | Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | |
 | Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | |
 | Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | |
 | La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM |
- ISRC
- DEF057101571
- Label
- L-M Records/RCA Records
Section: 0.8594760894775391
End: 0.8636789321899414